Selected works spanning installation, video, sound, performance and painting. Through my transformations of the voice, instruments and iconography, I question how technology mirrors human desire. Images contain links.
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I'm a tool for my tool, 2025. The machine confesses through an artificial copy of my voice, its pitch modulated by the sounds in the church in real time. Goldsmiths University London.
Minor Harmonies, 2025. Group exhibition curated by Misael José Oquendo. Shelly Expose performance and sound piece Between the Lines of Your Command. Tala, Chicago.
Am I Sitting in a Room?, 2025. A human voice is iteratively cloned and changes character, as it haunts the vacant reality TV homes.
Online excerpt.
Warning, 2025. Produced by Shelly Expose, mixed by Yangze and mastered by Enyang Urbiks. EP, 5 tracks, 13:20 min, Vasen, 2025. Digital release.
Ikr.Imprint w/ Shelly Expose. 60 minute cinematic soundscape of ambient scores, field recordings and demos. NTS Radio, London
You Don't Know What I, 2023. Shelly Expose video influenced by the 'Knowledge Argument' thought experiment. DOP Cecilie Flyger Hansen. Online release.
Tellus, 2022. Group exhibition curated by Kristian Touborg. Oil on CNC engraved aluminium (2/5). Palæfløjen Roskilde, Denmark.
Cross Lock, 2021. Live vocal routed through the frequencies of archival voice recordings. Performances at Nikolaj Kunsthal, PULSAR Festival, Copenhagen and The Slade, London.
Aweigh, 2021. Duo exhibition with Maria Lindeblad. Supported by Sydhavn Theatre & The Agency for Culture and Palaces. Østre Kapel, Copenhagen.
Autonomy, 2019. Video in group exhibition curated by open-source.tv. A pair of outdated speakers speak computer generated quotes in a recreational landscape in Chicago.