Anastasia Sif Karkazis

Selected works spanning installation, video, sound, performance and painting. Through my transformations of the voice, instruments and iconography, I question how technology mirrors human desire. Images contain links.
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Tool
I'm a tool for my tool, 2025. The machine confesses through an artificial copy of my voice, its pitch modulated by the sounds in the church in real time. Goldsmiths University London.
Minor
Minor Harmonies, 2025. Group exhibition curated by Misael José Oquendo. Shelly Expose performance and sound piece Between the Lines of Your Command. Tala, Chicago.
Am I Sitting in a Room
Am I Sitting in a Room?, 2025. A human voice is iteratively cloned and changes character, as it haunts the vacant reality TV homes. Online excerpt.
Warning
Warning, 2025. Produced by Shelly Expose, mixed by Yangze and mastered by Enyang Urbiks. EP, 5 tracks, 13:20 min, Vasen, 2025. Digital release.
NTS
Ikr.Imprint w/ Shelly Expose. 60 minute cinematic soundscape of ambient scores, field recordings and demos. NTS Radio, London
YDKWI Screen
You Don't Know What I, 2023. Shelly Expose video influenced by the 'Knowledge Argument' thought experiment. DOP Cecilie Flyger Hansen. Online release.
Dirty Secrets
Tellus, 2022. Group exhibition curated by Kristian Touborg. Oil on CNC engraved aluminium (2/5). Palæfløjen Roskilde, Denmark.
Crosslock
Cross Lock, 2021. Live vocal routed through the frequencies of archival voice recordings. Performances at Nikolaj Kunsthal, PULSAR Festival, Copenhagen and The Slade, London.
Aweigh
Aweigh, 2021. Duo exhibition with Maria Lindeblad. Supported by Sydhavn Theatre & The Agency for Culture and Palaces. Østre Kapel, Copenhagen.
Autonomy
Autonomy, 2019. Video in group exhibition curated by open-source.tv. A pair of outdated speakers speak computer generated quotes in a recreational landscape in Chicago.